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Letters from Iwo Jima (Two-Disc Special Edition)

Letters from Iwo Jima (Two-Disc Special Edition)

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Director: Clint Eastwood
Actors: Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Shido Nakamura
Studio: Warner Home Video
Category: DVD

List Price: $34.99
Buy Used: $2.00
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Avg. Customer Rating: 4.0 out of 5 stars 183 reviews
Sales Rank: 3074

Format: Widescreen, Ntsc
Languages: Japanese (Original Language), Japanese (Unknown), English (Subtitled), Japanese (Dubbed), Japanese (Published)
Rating: R (Restricted)
Number Of Items: 2
Running Time: 140
Aspect Ratio: 2.40:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.6 x 5.4 x 0.6

MPN: 111292
UPC: 085391112921
EAN: 0085391112921
ASIN: B00005JPKE

Theatrical Release Date: January 12, 2007
Release Date: May 22, 2007
Availability: Usually ships in 1-2 business days

Editorial Reviews:

Product Description
Nominated for 4 Academy Awards including Best Picture Clint Eastwood's Letters from Iwo Jima tells the untold story of the Japanese soldiers who defended their homeland against invading American forces during World War II. With little defense other than sheer will and the volcanic rock of Iwo Jima itself the unprecedented tactics of General Tadamichi Kuribayashi (Ken Watanabe The Last Samurai) and his men transform what was predicted to be a swift defeat into nearly 40 days of heroic and resourceful combat. Their sacrifices struggles courage and compassion live on in the taut gripping film Rolling Stone calls "unique and unforgettable." It is the powerful companion piece to Flags of Our Fathers.Running Time: 140 min.Format: DVD MOVIE Genre: DRAMA UPC: 085391112921 Manufacturer No: 111292

Amazon.com
Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatize one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanize "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honor against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of color) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon

On the DVDs
Like the film itself, the two-disc special edition of Letters from Iwo Jima is predominantly Japanese in content, and that's as it should be. Disc 1 presents the film in a flawless widescreen transfer, with a Dolby Digital 5.1 Surround soundtrack that perfectly captures the film's wide dynamic range. The optional subtitles can be turned off for those wishing to immerse themselves in a completely Japanese viewing experience. Disc 2 opens with "Red Sun, Black Sand: The Making of Letters from Iwo Jima," a 20-minute behind-the-scenes documentary that concisely covers all aspects of production, from director Clint Eastwood's initial decision to create a companion piece to Flags of Our Fathers, to interview comments from principal cast and crew, the latter including Flags screenwriters Paul Haggis and Letters screenwriter Iris Yamashita, costume designer Deborah Hopper, editor Joel Cox, cinematographer Tom Stern, production designer James Murakami (taking over for the ailing Henry Bumstead), and coproducer Rob Lorenz. "The Faces of Combat" is an 18-minute featurette about selecting the Japanese (and Japanese-American) cast of Letters, and how they were chosen through the international collaboration of Eastwood's long-time casting director Phyllis Huffman (who turned over some of her duties to her son while struggling with terminal illness) and Japanese casting associate Yumi Takada, who filled important roles with Japanese celebrities (like pop star Kazunari Ninomiya, who plays "Saigo") and unknown actors alike.

"Images from the Frontlines" is a 3.5-minute montage of images from the film and behind-the-scenes, set to the sparse piano theme of Eastwood's original score. The remaining bonus features chronicle the world premiere of Letters in Tokyo on November 15, 2006. The premiere itself is covered in a 16-minute featurette taped at the famous Budokan arena, where we see the red-carpet procession, a full-capacity audience despite cold November weather, and introductory comments from the film's primary cast and crew, many of them quite moving with regard to the satisfaction of working on a film that helps Japanese viewers come to terms with a painful chapter of their history. The following day's press conference (at the Grand Hyatt Tokyo hotel) is a 24-minute Q&A session covering much of the same territory, with additional testimony from principal cast & crew. Throughout this two-day event, it's clear that Eastwood (referring to himself as "a Japanese director who doesn't speak the Japanese language") was warmly embraced by the Japanese, and that Letters from Iwo Jima had served its intended purpose, reminding us of the horrors of war while uniting both Japanese and Americans in somber reflection, 61 years after the battle of Iwo Jima. --Jeff Shannon


Customer Reviews:   Read 178 more reviews...

5 out of 5 stars Eastwood's WWII masterwork   July 27, 2008
Of the 2 war films that Clint Eastwood directed, "Flags of our Fathers" and "Letters from Iwo Jima", the latter film can qualify as Clint's masterpiece. With restraint and sensitivity, Eastwood has shown us how really futile war is and the sacrifices of the ordinary foot soldier, whether they be Japanese or American. In some quarters, many critics felt Clint should've taken Best Picture and Best Director but the Academy did finally give an long over-due Oscar to Martin Scorsese for "The Departed". But who's to say which is the better--like apples and oranges, these 2 films achieved their goals brilliantly. But getting back to "Letters", special mention should be given to the performances here given by Ken Watanabe as the commander and Kazunari Ninomiya as cook turned soldier. Their performances lend a special poignancy to this film as well as the other performers in this film. The battle scenes are just as powerful as those in "Saving Private Ryan" though one should remember that Spielberg was one of the producer of this film as well. In HD DVD, these scenes are brilliantly delinerated. Highly recommeded.


4 out of 5 stars The Defence of Iwo Jima, seen through Japanese eyes   July 11, 2008
It was a brave move by Eastwood to make not one but two movies about Iwo Jima, and braver still to show the pivotal conflict from each sides point of view. Where Flags of Our Fathers was flawed in its approach, muting the impact, `Letters..' is more perfectly formed, and arguably more complex in nature - and it's a success.
Through sepia, almost colourless photography, we see the defence of Iwo Jima from the viewpoint of several Japanese soldiers. We see them, and we hear them in the forms of their letters they write home, letters that they know may never reach their intended recipients. From this simple framework, we see the build up of defences as the new commanding officer arrives (Ken Watanabe, brilliant) and also from the viewpoint of the soldiers filling sandbags, through to the invasion of the hordes of Americans, and through to the final death throes of the last vestiges of defence.
The range of characters (working class disillusioned solider, aristocratic gentleman officer, honourable commanding officer sworn to his duty but grieved with it) is wider than we might expect, and makes the anti-war message very clear - we are all the same. Previous war movies have shown one man from the other side to be more complex or sympathetic to us, but here we see the whole Japanese cross section of society, and it presents us with a picture on one hand of a society different from ours, and yet so similar in the humanity of it. Even in one sub-section - the officers for example, a complex range of views, opinions and impact is observed. One of the key moments comes in the capture of an American soldier, and how even if some of the soldiers can not separate the propaganda from what they see, the words of his mother in a letter are so universal maternal, that they can not help but see what is common between them is greater than that which is different.
It feels like quite a long movie, and the pace is stately in an almost Japanese style which may put some off, however this pushes the movie beyond some flash bang war movie to satisfy the bloodthirsty, and creates that difficult thing - a movie about the war, showing the war, yet a firm indictment of the effects of war.



5 out of 5 stars Insightful view through the other side's eyes   July 3, 2008
 1 out of 1 found this review helpful

This is clearyly Clint Eastwood's greatest work.

We all get to see Iwo Jima. We all know the image of the guys hoistng old Glory atop the Japanese Hill. We Americans have seen it in many films like the one with John Wayne but this time we get to see it through eyes of the other side that of the Japanese. From the ordinary grunt to the Japanese Navy officer who goes so gung ho that he tries to find himself an american tank to throw himself under but ultimately gets captured (This is based on a real person who was there in the battle and captured, read about him once in The Rising Sun by John Toland, wish they had shown more with him). To the General in charge. From the first arrival to the final charge, it shows the Japanese soldiers well. And Clint Eastwood serves us well telling us about them through their eyes with this film of his. Just as I respect him for showing what American soldiers were like as well. Since Japanese troops did not take prisoners and mistreatedt hose they took many American units did not take prisoners either.

Admittedly, the battle was well fought and due to lack of opprtunity, no major crimes typical of Japanese soldiers such as the rape of Nanking or the butchery of Manilla or the Bataan Death March or the murder and eating of captured American Airmen at near by Chichi Jima, so it is very easy to admire the Japenese here. Certainly I would have liked to know more and see more of Korean Labour units but apparently none were employed on the island.

Great film.



5 out of 5 stars Letter form Iwo Jima   July 2, 2008
 1 out of 1 found this review helpful

Very good depection of WWII. Held my interest. Not sure anyone without a connection to the war would appreciate the movie. Overall a very good movie.


1 out of 5 stars Sorry Clint - you didn't take the island   June 27, 2008
 1 out of 6 found this review helpful

Balefully unoriginal in concept [see: 'tora tora tora'] and dead guys letter reading scene [see: All quiet otwf]is constantly fragmented by tawdry and heartsinkingly americocentric overlays..[eg]... Yes folks..... all a dodgy oriental zealot requires to develop worldly sophistication, nobility and sense of common justice [see:recent heroic moral leadership ref; guantanamo bay] is a purlew in the old US of A.

We'll go easy on the rabidly racist militaristic imperialism of both sides..[not PC]

Basically, three kinds of Japanese soldiers are depicted here...(1) US influenced good guys [must do our duty old boy..see 'la grand illusion'] (2) non-us exposed officers concentrating all their energies on either insubordinating direct orders from their superiors or hilariously slaughtering their own troops for doing the very same thing..and (3} sympathetic [just like you or me] slaughterees.

All the more amazing that this bunch of cowboys [sic] managed to inflict 20,000 casualties on an enemy with naval and air support whilst trapped in a tunnel.

The film then, was yet another hopelessly muddled, distorted and implausable evocation of life beyond the empathic wit of a pop-culture superpower....No amount of sub-titles and sepia can disguise the parochial nature of American mainstream film. When it attempts to capture an alien frame of reference it merely exposes its own terminal egocentricity.




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